Throughout the four-week RE- & DE- residency, I engaged with various approaches to instigating, building and developing a dialogue with Onomichi, fundamentally looking at drawing as a vehicle for and of correspondence across and between spaces, places, individuals and communities.
In July and August, I was in Japan participating in the first phase of the research and residency project – Re- & De-. The project partners are Onomichi City University, Japan and the Royal College of Art, UK. The research will take place in Japan, London and online via digital platforms over the next academic year. My fellow practitioners and researchers are RCA colleagues Dr Kyung Hwa Shon and Professor Tamaki Ono, and Associate Professor Yukata Inagawa from Onomichi City University. The project is supported by the Great Britain Sasakawa Foundation and the Royal College of Art.
I look forward to participating in ‘Re- & De-‘, a research and residency project with colleagues and practitioners Dr Kyung Hwa Shon from the Royal College of Art, London and Yutaka Inagawa and Tamaki Ono from Onomichi City University, Japan. The project is supported by The Great Britain Sasakawa Foundation and will begin in Japan from 16 July to 13 August 2022.
It was fantastic to be invited by Mindy Lee, curator of Blyth Arts, to hold an artists’ lead event with co-exhibitor Isabel Young as part of Fictions held at the Blyth Gallery Imperial College London between 08/06/22 – 07/07/22.
I am delighted to be invited by drawingisfree_ org, to join 14 other practitioners as part of the Drawing Projects UK PechaKucha style Symposium discussing the impact of lockdown on practice and drawing.
‘In the Future …. How will we Create?’ took place from 9 November to 14 November 2021 at the UK Pavilion Expo 2020 Dubai. The Royal College of Art is the Heritage Partner of the UK Pavilion, having a 170-year history of shared heritage with world exhibitions, going back to the first Expo, The Great Exhibition of 1851. The RCA’s contribution to the UK Pavilion will bring together a wide range of interdisciplinary projects from staff, current students and recent graduates. I developed and delivered ‘A City in a Day’ project as part of my ongoing research. Four local schools with approximately 20 students participated in an hour’s workshop, each hour a different age of the city’s development.
I am pleased to release the video of A City Seven Days project produced at FutureLab, Shanghai 2019.
FutureLab was an initiative from WestBund Art Center drawing together art and design educators from around the world. I was invited in my role as Head of Programme of Graduate Diploma in Art and Design at the Royal College of Art to create a project demonstrating synergies between degree level and primary level teaching approaches and methodologies to creativity in student-centred learning.
My ongoing creative thinking and learning research work with FunDrawing initiated the ‘city’ as a vehicle or model for creative engagement. The workshop investigates how creativity can be enabled through action-based teaching and learning approaches to embed and encourage creativity in the curriculum for primary and early secondary learners. The projects’s basic premise is based on the creative and imaginative potential of the humble cardboard box, focusing on proven alternative approach models to creative and trans-disciplinary engagement to provide an immersive experience and critical takeaways from skills-based teaching of art and design.
Working with Shenzhen National Art Museum and Sun Pier House, Chatham and supported by the Artist Agency I am in the process of developing new work for an exhibition in April, May, August and September.
Port of Entry is a new body of work developed from sketchbook images, informing a series of large, site-specific wall drawings, inferring a connection between Shenzhen and Chatham. Port of Entry investigates the idea of a port, not only as physical gateway, but also a conceptual notion of entry point for cultural and social information exchange and discourse.
The second part of the project will be a another series of site-specific wall drawings developed from images produced in Shenzhen. These drawings will be developed through workshops with primary school students, investigating the nature of the imagined and remembered.
The project will culminate in a publication which will document the exhibitions and the ongoing dialogue between the artist and the two locations.
The images below are from the recent showing of Trace Engines and new work at the Brewery Tap UCA Project Space http://www.brewerytapprojectspace.com held between 29/09/17 and 03/10/17, at part of the Folkestone Fringe.
It was a fantastic space to work in and a pleasure working with the curator Georgie Scott and Terry Perk from UCA and being part of the incredibly vibrant atmosphere of the Folkestone Triennial .
Over the four days there were over 270 visitors, including a group of students and staff from UCA Rochester Foundation programme, also a well known local canine art connoisseur who made an apearance at the private view.
I had a really fantastic four days invidulating the exhibition, a great opportunity to meet, local, national and international visitors to the Folkestone Triennial and to develop new work in the sketchbook……….watch this space.
I will be showing the Trace Engines project as part of the Folkestone Fringe, at the Brewery Tap – UCA Project Space, from the 30/09/19 – 03/10/17.
Trace Engines is a body of work produced through UCA research funding, in collaboration with AIP Gallery, Guangzhou, China. The work was previously exhibited at Rochester Art Gallery, November 2016 – February 2017.
I will also be exhibiting a series of new drawings entitled Shaped Narratives. The Private View will be on the 29th September, from 6pm – 8pm, all are welcome. 53 Tontine Street, Folkestone, CT20 1JR.
I will be invigilating the exhibition and of course working in my sketchbook between the 30/09/17 – 03/10/17.
The Brewery Tap – UCA Project Space is a research hub, exhibition and project space run by the MA Fine Art and MA Curatorial Practice courses at the University for the Creative Arts in Canterbury.
I am delighted to have been asked to contribute to this project and the broader Folkestone creative quarter and community and the Folkestone Triennial.