I look forward to participating in ‘Re- & De-‘, a research and residency project with colleagues and practitioners Dr Kyung Hwa Shon from the Royal College of Art, London and Yutaka Inagawa and Tamaki Ono from Onomichi City University, Japan. The project is supported by The Great Britain Sasakawa Foundation and will begin in Japan from 16 July to 13 August 2022.
There have been four main series of shaped narratives developed over the last four years – Blue and White Shaped Narratives, Coloured Shaped Narratives, Three-Legged Narratives and Small Object Narratives. The works explore and integrate notions around the sense of shapes within shapes, objects within objects and the relationships and hierarchies between the constituent parts.
The Brooklyn Art Library is home to the world’s largest collection of artists sketchbooks. I completed one of the project sketchbooks earlier this year and have just sent it off to join the archive of over 30,000. It was a project I’d followed over the years and I am pleased to have now added my own sketchbook contribution.
Rather like the singular activity of drawing in sketchbooks, cross-stitch as activity and pastime has made even more sense during lockdown. The last few months have allowed me to review the Sampler series – a body of stitched works using variegated threads, initially shown in 2018. Lockdown has enabled me the opportunity to experiment with different colour palettes and investigate the potential for further work using cross-stitch and space-dyed thread as a tool for translating ideas around memory and and recoding.
Above: Sampler, work in progress.