As we start to see a potential return to international exchange, I have revisited key projects that hinge on international collaboration and dialogue. A model I hope to revisit is Trace Engines, a 5 year-long project bringing together both pedagogic and practice-based research working with universities and galleries in the UK and China. Initiated through a 10-week residency in Guangzhou, China, in partnership with Guangzhou Academy of Fine Art and Arts International Projects. This culminated in a body of work that fuelled a series of exhibitions, workshops, and lectures between 2015 and 2020. I think it is exciting that future projects like this will adapt and transform, incorporating blended approaches with more embedded online and digital forms alongside traditional residency formats.
Sketchbooks are an intrinsic and integral part of my practice, a place where I collate, record and synthesize viewed and remembered experiences.
I am currently obsessed with comicbook-like hieroglyphs, in search of or potentially reliant on a visual equivalent to the Rosetta Stone, combining the recognized, the invented and the possible. These draw from a range of real and imagined destinations and cultural references, many from regular visits to China.
The first UK exhibition of the Trace Engines project, which included a solo exhibition of drawings and mono prints at the AIP Gallery, Redtory Art Zone, Guangzhou in 2015, opens on the 25th November 2016 at the Rochester Art Gallery, Kent.
The private view is on the 24th November from 6:30pm and there will also be a series of workshops and artist’s talks that accompany the exhibition. This current show, from 24.11.16 to 20.02.17, brings together new work and pieces produced during my residency in China.
‘Trace Engines is a series of amalgamated drawings that on the one hand suggest a design or plan for something to come, and on the other seem like the residue of something that has already been. In this, they constitute a process of mediation where the acts and media of their creation – the drawing, tracing and mono printing – become iterative expressions that model an as yet unknown object.’
As a precursor to my next lecture visit to China later this month here are a couple of promotional items and some photos from the previous tours of 2016.
Photos from CAFA High School (Central Academy of Fine Art Beijing); AIP Arts International Programs Guangzhou; GAFA High School; Guangzhou Academy of Fine Arts, British Council school tour Tianjin and Shenzhen National Art Museum.
Reflecting on the China sketchbook, looking at the drawings and key images of a pivotal three-week period leading up to the Trace Engines show. People watching in cafes, evening meals with friends and dramatic flying fish all contained within the scrawled memories of South China.
I will be artist in residence at the AIP Centre, Guangzhou, China between the 1st and 22nd of November this year. Trace Engines, a solo exhibition of my work, and a collection of recent works on paper will be exhibited at the AIP Gallery in the Redtory Art Zone between the 20th November and 5th January 2016.
The project has been funded jointly by AIP and the University for the Creative Arts, I will be in conversation about my work at two events on the 21st and 22nd November 2015.
The images below relate to the current work, some of which will be displayed in the exhibition and contained in the supporting artist publication. I’ll post images of exhibition work nearer the time.
今年11月1日至22日， 我将在中国广州AIP 中心驻场创作。我的个人展览《描绘引擎》(Trace Engines)以及最新的纸上作品集将在广州红专厂艺术区AIP展馆展出。展览于2015年11月20日开幕，并持续至1月5日。