Fictions 2022 – at Blyth Gallery Imperial College London

This is the second iteration of Fictions a two person exhibition project begun in 2020. The exhibition showcases new work exhibited for the first time.

This has been an exciting opportunity for Isabel Young and I to work with the curator Mindy Lee to expand notions and approaches to observed, recorded and imagined personal narratives in the space at the Blyth Gallery.

Fictions – Blyth Gallery Imperial College.

The show also includes the collaborative project RE – a unique collaborative artists book lead by Richard Nash and Gary Clough, including contributions from Isabel Young, Adam Knight, Susannah Haslam, Kyung Hwa Shon, Anna Beel, Alkesh Parmer and Linnet Hannan.

RE: Artists Book – 2022

Identification – New work in stitch

Identification is an ongoing body of work which focuses on the nature of ID object classification tables and object ID silhouettes. 

I am currently working on a series of nine 6 x 6-inch canvasses of constructed tables of embroidered objects. These will be exhibited alongside the second body of work developed as part of Fictions, a two-person exhibition with the artist Isabel Young at the Blyth Art Gallery at Imperial College London, in June 2022.  

Object Narrative Series 2018 -2021

Shaped or Object Narrative is a term I use that has developed from an approach and concurrent processes of drawing, recording, and responding developed in the sketchbook over some years.

There have been four main series of shaped narratives developed over the last four years – Blue and White Shaped Narratives, Coloured Shaped Narratives, Three-Legged Narratives and Small Object Narratives. The works explore and integrate notions around the sense of shapes within shapes, objects within objects and the relationships and hierarchies between the constituent parts. 

Drawing Workshop

It was a great pleasure to be invited to visit the Bond and Coyne studios in South London in November to a lead a drawing workshop. Bond and Coyne led a visibility campaign and film for the RCA’s Graduate Diploma in Art and Design programme, and the workshop was a direct result of this relationship. It was a great opportunity to expand and investigate further approaches to the teaching and the language of drawing working with art and design professionals in a staff development context.

Memory and Light – conference interview

I was recently invited by Emre Altindağ, PhD researcher and editor for an interview in the first edition of Memory and Light and to be the keynote speaker at the accompanying conference in August 2021. Memory and Light is an international artist-led collective and new publication for illustrators, graphic novelists, and storytellers. I discussed with Emre the role of narrative and storytelling as a key tool in my approach to sketchbooks and my practice. Article pdf here.

Mail art exchange exhibition – I Didn’t Lick It

I Didn’t Lick It’ @brutoncorrespondenceschool‘s first group exhibition.


I am pleased to be part of the exhibition I Didn’t Lick It, a group exhibition of over 350 artists who have collaborated using mail art with the Bruton Correspondence School over the last twelve months.

The Bruton Correspondence School is a (slow) mail art exchange project established by Chris Roberts and Rebecca McClelland, partly in response to the impact of the worldwide lockdown and their attempt to connect with a broader audience on the most basic and meditative level.

The collection showcases the innate ability of collage to construct a fresh and new visual exchange beyond the two-dimensional into the structural world and craft of visual making. While experimental, each collage is also didactic, layered with hidden messages, reoccurring motifs and shared concerns that speak as an abstract indicator of the surreal times we live in.

This was an excellent opportunity to broaden my own current research and investigations into the collaborative possibilities of drawing and image-making through a shared response to secondary materials and correspondence and annotation. Participating in the project was also a chance to indulge my recent obsession with moiré patterns printed inside envelopes.

The exhibition will be across three sites in Bruton – The Bruton Museum @brutonmuseum / The Old Pharmacy @oldpharmacybruton and the Dovecote Gallery @dovecotegallerybruton

The show will run from 24th July – 25th September 2021, open weekdays 11am-1pm and Saturdays 11am-3pm.