Object Narrative Series 2018 -2021

Shaped or Object Narrative is a term I use that has developed from an approach and concurrent processes of drawing, recording, and responding developed in the sketchbook over some years.

There have been four main series of shaped narratives developed over the last four years – Blue and White Shaped Narratives, Coloured Shaped Narratives, Three-Legged Narratives and Small Object Narratives. The works explore and integrate notions around the sense of shapes within shapes, objects within objects and the relationships and hierarchies between the constituent parts. 

Drawing Workshop

It was a great pleasure to be invited to visit the Bond and Coyne studios in South London in November to a lead a drawing workshop. Bond and Coyne led a visibility campaign and film for the RCA’s Graduate Diploma in Art and Design programme, and the workshop was a direct result of this relationship. It was a great opportunity to expand and investigate further approaches to the teaching and the language of drawing working with art and design professionals in a staff development context.

Memory and Light – conference interview

I was recently invited by Emre Altindağ, PhD researcher and editor for an interview in the first edition of Memory and Light and to be the keynote speaker at the accompanying conference in August 2021. Memory and Light is an international artist-led collective and new publication for illustrators, graphic novelists, and storytellers. I discussed with Emre the role of narrative and storytelling as a key tool in my approach to sketchbooks and my practice. Article pdf here.

Mail art exchange exhibition – I Didn’t Lick It

I Didn’t Lick It’ @brutoncorrespondenceschool‘s first group exhibition.


I am pleased to be part of the exhibition I Didn’t Lick It, a group exhibition of over 350 artists who have collaborated using mail art with the Bruton Correspondence School over the last twelve months.

The Bruton Correspondence School is a (slow) mail art exchange project established by Chris Roberts and Rebecca McClelland, partly in response to the impact of the worldwide lockdown and their attempt to connect with a broader audience on the most basic and meditative level.

The collection showcases the innate ability of collage to construct a fresh and new visual exchange beyond the two-dimensional into the structural world and craft of visual making. While experimental, each collage is also didactic, layered with hidden messages, reoccurring motifs and shared concerns that speak as an abstract indicator of the surreal times we live in.

This was an excellent opportunity to broaden my own current research and investigations into the collaborative possibilities of drawing and image-making through a shared response to secondary materials and correspondence and annotation. Participating in the project was also a chance to indulge my recent obsession with moiré patterns printed inside envelopes.

The exhibition will be across three sites in Bruton – The Bruton Museum @brutonmuseum / The Old Pharmacy @oldpharmacybruton and the Dovecote Gallery @dovecotegallerybruton

The show will run from 24th July – 25th September 2021, open weekdays 11am-1pm and Saturdays 11am-3pm.

Sampler Series

Rather like the singular activity of drawing in sketchbooks, cross-stitch as activity and pastime has made even more sense during lockdown. The last few months have allowed me to review the Sampler series – a body of stitched works using variegated threads, initially shown in 2018. Lockdown has enabled me the opportunity to experiment with different colour palettes and investigate the potential for further work using cross-stitch and space-dyed thread as a tool for translating ideas around memory and and recoding.

Above: Sampler, work in progress.

Sketchbook Thinking

Sketchbooks are an intrinsic and integral part of my practice, a place where I collate, record and synthesize viewed and remembered experiences.

I am currently obsessed with comic book like hieroglyphs, in search of or potentially reliant on a visual equivalent to the Rosetta Stone, combining the recognized, the invented and the possible. These draw from a range of real and imagined destinations and cultural references, many from regular visits to China.

South East Open Studios

New work in progress, drawings and prints developed from recent journeys in China.
As part of the South East Open Studios over two weekends 15-18 and 22-25 June, I will be showing alongside Heather Haythornthwaite and Sarah King at the Hazelnut Press.