Fictions 2022 – at Blyth Gallery Imperial College London

This is the second iteration of Fictions a two person exhibition project begun in 2020. The exhibition showcases new work exhibited for the first time.

This has been an exciting opportunity for Isabel Young and I to work with the curator Mindy Lee to expand notions and approaches to observed, recorded and imagined personal narratives in the space at the Blyth Gallery.

Fictions – Blyth Gallery Imperial College.

The show also includes the collaborative project RE – a unique collaborative artists book lead by Richard Nash and Gary Clough, including contributions from Isabel Young, Adam Knight, Susannah Haslam, Kyung Hwa Shon, Anna Beel, Alkesh Parmer and Linnet Hannan.

RE: Artists Book – 2022

Identification – New work in stitch

Identification is an ongoing body of work which focuses on the nature of ID object classification tables and object ID silhouettes. 

I am currently working on a series of nine 6 x 6-inch canvasses of constructed tables of embroidered objects. These will be exhibited alongside the second body of work developed as part of Fictions, a two-person exhibition with the artist Isabel Young at the Blyth Art Gallery at Imperial College London, in June 2022.  

In the Future …. How will we Create?

‘In the Future …. How will we Create?’ took place from 9 November to 14 November 2021 at the UK Pavilion Expo 2020 Dubai. The Royal College of Art is the Heritage Partner of the UK Pavilion, having a 170-year history of shared heritage with world exhibitions, going back to the first Expo, The Great Exhibition of 1851. The RCA’s contribution to the UK Pavilion will bring together a wide range of interdisciplinary projects from staff, current students and recent graduates. I developed and delivered ‘A City in a Day’ project as part of my ongoing research. Four local schools with approximately 20 students participated in an hour’s workshop, each hour a different age of the city’s development.

Mail art exchange exhibition – I Didn’t Lick It

I Didn’t Lick It’ @brutoncorrespondenceschool‘s first group exhibition.


I am pleased to be part of the exhibition I Didn’t Lick It, a group exhibition of over 350 artists who have collaborated using mail art with the Bruton Correspondence School over the last twelve months.

The Bruton Correspondence School is a (slow) mail art exchange project established by Chris Roberts and Rebecca McClelland, partly in response to the impact of the worldwide lockdown and their attempt to connect with a broader audience on the most basic and meditative level.

The collection showcases the innate ability of collage to construct a fresh and new visual exchange beyond the two-dimensional into the structural world and craft of visual making. While experimental, each collage is also didactic, layered with hidden messages, reoccurring motifs and shared concerns that speak as an abstract indicator of the surreal times we live in.

This was an excellent opportunity to broaden my own current research and investigations into the collaborative possibilities of drawing and image-making through a shared response to secondary materials and correspondence and annotation. Participating in the project was also a chance to indulge my recent obsession with moiré patterns printed inside envelopes.

The exhibition will be across three sites in Bruton – The Bruton Museum @brutonmuseum / The Old Pharmacy @oldpharmacybruton and the Dovecote Gallery @dovecotegallerybruton

The show will run from 24th July – 25th September 2021, open weekdays 11am-1pm and Saturdays 11am-3pm.

South East Open Studios

New work in progress, drawings and prints developed from recent journeys in China.
As part of the South East Open Studios over two weekends 15-18 and 22-25 June, I will be showing alongside Heather Haythornthwaite and Sarah King at the Hazelnut Press.

Trace Engines show at Rochester Art Gallery

The first UK exhibition of the Trace Engines project, which included a solo exhibition of drawings and mono prints at the AIP Gallery, Redtory Art Zone, Guangzhou in  2015, opens on the 25th November 2016 at the Rochester Art Gallery, Kent.

The private view is on the 24th November from 6:30pm and there will also be a series of workshops and artist’s talks that accompany the exhibition. This current show, from 24.11.16 to 20.02.17, brings together new work and pieces produced during my residency in China.

GC (rag invite trace engine)

GC (rag invite trace engine) 2

‘Trace Engines is a series of amalgamated drawings that on the one hand suggest a design or plan for something to come, and on the other seem like the residue of something that has already been. In this, they constitute a process of mediation where the acts and media of their creation – the drawing, tracing and mono printing – become iterative expressions that model an as yet unknown object.’

The Educationalist…

As a precursor to my next lecture visit to China later this month here are a couple of promotional items and some photos from the previous tours of 2016.

the-educationalist

Photos from CAFA High School (Central Academy of Fine Art Beijing), AIP Arts International Programs Guangzhou, GAFA High School, Guangzhou Academy of Fine Arts, British Council school tour Tianjin and Shenzhen National Art Museum.

China snapshot

Now back from China after exciting time in Guangzhou, Shenzhen, Shanghai and Beijing. The exhibition looked great and I gave quite a few artist talks and workshops, was also invited to give a lecture at Shenzhen National Art Museum. More details and pictures to follow soon.