Fictions 2022 – at Blyth Gallery Imperial College London

This is the second iteration of Fictions a two person exhibition project begun in 2020. The exhibition showcases new work exhibited for the first time.

This has been an exciting opportunity for Isabel Young and I to work with the curator Mindy Lee to expand notions and approaches to observed, recorded and imagined personal narratives in the space at the Blyth Gallery.

Fictions – Blyth Gallery Imperial College.

The show also includes the collaborative project RE – a unique collaborative artists book lead by Richard Nash and Gary Clough, including contributions from Isabel Young, Adam Knight, Susannah Haslam, Kyung Hwa Shon, Anna Beel, Alkesh Parmer and Linnet Hannan.

RE: Artists Book – 2022

Object Narrative Series 2018 -2021

Shaped or Object Narrative is a term I use that has developed from an approach and concurrent processes of drawing, recording, and responding developed in the sketchbook over some years.

There have been four main series of shaped narratives developed over the last four years – Blue and White Shaped Narratives, Coloured Shaped Narratives, Three-Legged Narratives and Small Object Narratives. The works explore and integrate notions around the sense of shapes within shapes, objects within objects and the relationships and hierarchies between the constituent parts. 

Sketchbook Thinking

Sketchbooks are an intrinsic and integral part of my practice, a place where I collate, record and synthesize viewed and remembered experiences.

I am currently obsessed with comic book like hieroglyphs, in search of or potentially reliant on a visual equivalent to the Rosetta Stone, combining the recognized, the invented and the possible. These draw from a range of real and imagined destinations and cultural references, many from regular visits to China.

South East Open Studios

New work in progress, drawings and prints developed from recent journeys in China.
As part of the South East Open Studios over two weekends 15-18 and 22-25 June, I will be showing alongside Heather Haythornthwaite and Sarah King at the Hazelnut Press.

Trace Engines show at Rochester Art Gallery

The first UK exhibition of the Trace Engines project, which included a solo exhibition of drawings and mono prints at the AIP Gallery, Redtory Art Zone, Guangzhou in  2015, opens on the 25th November 2016 at the Rochester Art Gallery, Kent.

The private view is on the 24th November from 6:30pm and there will also be a series of workshops and artist’s talks that accompany the exhibition. This current show, from 24.11.16 to 20.02.17, brings together new work and pieces produced during my residency in China.

GC (rag invite trace engine)

GC (rag invite trace engine) 2

‘Trace Engines is a series of amalgamated drawings that on the one hand suggest a design or plan for something to come, and on the other seem like the residue of something that has already been. In this, they constitute a process of mediation where the acts and media of their creation – the drawing, tracing and mono printing – become iterative expressions that model an as yet unknown object.’

Essaouiran constructs

Drawings produced on a recent trip to Essaouira in Morocco.

Work in progress

Initial series of drawings investigating the potential of established language in the tradition of the portrait bust, silhouette and momento mori. The drawings are a combination of images and graphic systems taken from a range of sources.